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| In this picture the
fence was used successfully to create the perception of a "stolen
picture". The wing of the aeroplane in the foreground forms
a natural frame for the subject, the Spitfire. Although the subject
does move from left to right, it is unfortunately too far to the
right, not giving the plane enough space to move into the picture.
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| Be careful with
distractions in the background. |
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| Because of the background
this picture will be classified as a failure. The pole is growing
out of the child’s head. In this instance a small depth of field
also wouldn’t have helped, because both distractions are light
colours. Even with a small depth of field the background would
still be distracting. The background should have been changed
before the picture was shot. |
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| The lighting was handled
superbly. There are also details evident in the dark and light
areas. The subject is walking from left to right into the picture.
The horizon is straight and in the top third of the frame. The
bright reflection of the son next to the subject draws the eye
to the subject. Unfortunately the shadows was beheaded. This picture
tells a story. |
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| The movement of the
boat was successfully frozen. The movement of the water is still
visible, which enhances the perception of movement in the picture.
The composition is strong with leading lines from the edge of
the boat and the colourful life jackets of the pilots. The attention
is immediately drawn to the pilots. The background is subdued
enough not to be distracting but sharp enough to follow. A bit
more space could have been left in front of the boat. |
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| The wing on top is
not in focus, which is distracting. The spot on the main wing
is positioned strongly and draws the eye. The background is washed
out properly by effective use of depth of field. The picture has
beautiful colours and texture which compensates for the lack of
a definite centre of interest. |
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| Most of us will put
our cameras away in conditions like this. The rocks disappearing
in the mist gives depth to the picture. At the top and bottom
of the picture large areas are found where no detail is discernable.
There is also no definite centre of interest. The photographer
could have moved closer to the rocks to eliminate some of the
background. The mood is set successfully. |
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| Lots of movement. The
motorbike is not quite sharp, but that can enhance the movement
of the picture. The motorbike is in a very good position. It is
on one of the thirds, moves from left to right into the picture
with enough space in front of it. The red colour immediately draw
the eyes to the centre of interest. |
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| A lot of texture and
very interesting. Something one do not see everyday. The horizon
is straight and in the correct third of the frame. There are not
too much dark areas. Although there is no centre of interest,
the clouds are the subject. |