There’s no doubt that wedding photography can be an amazing and fulfilling job. Wedding photographers work with people on some of the happiest days of their lives. They get to shoot people at their best, dressed up in beautiful outfits, in stunning locations in and outdoors. They create poignant and lasting memories of joyful occasions. In addition, well-known wedding photographers can earn very respectable rates for their work.

However, there is a flipside to all this. Since weddings are so emotionally charged, making a mistake or missing special moments can cause a lot of disappointment for the clients. Weddings usually take place on evenings and weekends, meaning odd working hours and sacrificing personal family time.

The work is both physically and emotionally draining – long hours carrying heavy equipment, managing people, fitting into the whims of the clients and pushing yourself not to miss anything important. In practical terms, wedding photographers need a lot of expensive equipment (including backups), and the competition in the field is steep, which means having to market aggressively and lowering rates.
If you feel passionate enough about wedding photography to take the plunge, here is what you will need.

• Naturally, you will need a good quality camera, a versatile lens (ideally, you will have a few different ones), a flash and other lighting tools (like professional lights, diffusion boards and so on) and several large memory chips. It’s also vital that you have a backup for each of these vital tools.
• Many photographers shoot with an assistant, who helps to fill in extra shots or captures separate events happening somewhere else. Consider finding a helper for larger weddings.
• Since the bulk of digital photography work happens after the event, you will need a good computer and the necessary photo manipulation software. These element can get quite expensive, so be sure to calculate the costs in.
• It should go without saying that wedding photographers need to have excellent photography skills. Weddings cannot be repeated and moments cannot be paused while you prepare yourself. You need to be able to produce perfect shots under pressure. A wedding is not the place to test out new equipment or techniques.
• It should also be evident that you need to have good people skills and enjoy working with diverse and emotional people. Wedding participants can be nervous, overwhelmed, confused, elated and impatient, and getting them to pose in the correct ways can be tricky. If you don’t enjoy working with people, you may find the job very stressful.
• Finally, being a professional wedding photographer means that you are running your own business, and so you need the business skills to manage your schedules, clients, finances and marketing effectively. While the job is not all about money, make sure you price your services to reflect the quality and hard work you put in.

The University of Cape Town Digital Photography course starts on 27 February 2012. For more information contact Amy-Jane on 021 685 4775 or amyjane@getsmarter.co.za or visit www.getsmarter.co.za.

Mike Ormrod explains, “Orms Connect is an opportunity for us to give back to our loyal community by creating a place where any- and everyone interested in photography can gather, interact and share ideas.”

Orms Connect is jam packed with exciting features:
The Connect Blog is a daily updated source of insightful photography related news, events and entertainment.

The Community Galleries display the best work that has been submitted by the talented and passionate Orms fans and customers.

The Ask A Pro section allows users to pose categorised questions to a select group of photography industry professionals.  These include the likes of Craig Kolesky, Greg Beadle, Dylan Culhane, Thomas Ferreira, Paul Hofman and Jacques Koudstaal.

The Featured Pros Gallery will showcase the work of the talented individuals making a living from their passion in South Africa, while the Pro Advice section will be a place where professionals are given the opportunity to blog about what they feel to be relevant and of interest to the industry.

Ease of use in the comments sections is optimised by allowing users to login with any of their existing social network accounts.  No time-consuming registration is required.

“The name, Orms Connect, was specifically chosen to convey the purpose of this online portal.  I sincerely hope that the website will be a catalyst and contributor to the growing photographic industry in South Africa.  It aligns with my personal passion to get the rest of the world to stand up and take notice of what we’re doing down here in Southern Africa.”

The link www.ormsconnect.co.za will go live this morning 19 April, at 09h30.

Prepare an equipment checklist – this will help make sure you don’t forget essentials like tripod, lenses, extension tubes, batteries, filters, memory cards, flash, Lenspen, camera manual etc.

Leopard

Be prepared – always have your camera and lenses ready, and make sure all your equipment is working. The night before your game drive check / reset your camera settings (White Balance, ISO, exposure compensation, file size, quality setting). Make sure your equipment is clean and that the batteries are fully charged. Always have spare memory cards and ideally even a storage device to download your images onto. You can never predict when something amazing might happen.

Be patient – it is very difficult to speed up or slow down nature, and without patience you will struggle to get good results. You often need to remain very still for an extended period of time before the animal starts behaving naturally. Very occasionally you’ll capture something unique at your first sighting of the animal, but most of the time you just have to be patient.

Research the area you’ll be visiting – check the sunrise and sunset times so you can decide on the optimum locations for each time of the day.

Photograph normal behaviour – wildlife photography does not always have to be of spectacular animal behaviour. Just seeing normal animal behaviour in a natural environment can make a great photograph.

Accurate focus is critical – if the animal is looking in your general direction, make sure that you focus on the eyes and try to keep them unobstructed by out of focus branches or leaves.

Camera positioning – when photographing smaller wildlife try to photograph from a lower camera angle to accentuate the animal’s size.

Anticipate – this can often make the difference between success and failure. Try to learn the habits of the animal you intend photographing by observing them.

Practice photographing animals on the move and learn to predict their movements by practicing at the zoo, or even on your own pets. By knowing your subject’s habits you have a much better chance of putting yourself in the right place at the right time.

An award winning shot can be taken of any animal – you don’t have to photograph only the big 5 for great results. Even the smallest animal photographed in beautiful light, and in an interesting way, can make a wonderful shot.

Timing – be there at the right time of the day. At sunrise and sunset the light is far softer and it has a beautiful warm colour.

To learn more on Wildlife, Nature, Landscape and Travel photography why not come do our Outdoor Photography course?

Be Patient

Tip 1: Simplify

One of the easiest and probably most effective ways of creating an eye-catching image is by ‘getting in closer’. By getting closer you eliminate a lot of unnecessary information making for a striking, simple yet powerful image.

Tip 2: See the light

Undoubtedly the most important ‘ingredient’ in any great photographic image is light and by better understanding and using light, you will find a marked improvement in your photography.

Consider that light has colour and start looking for it. Between about 10am and 3pm sunlight loses most of its colour becoming clean, white and boring. Natural light changes colour throughout the day, which is the reason why we prefer to make photos early in the morning or late in the afternoon, to capture the colour of the light. Early morning light has some wonderful pastels like peach, pink and sometimes a bit of magenta, whereas late afternoon light is rich in warm yellows and golden oranges. Often these colours can become the very reason for wanting to capture an image.

Tip 3: Make use of colour

We know that light has colour, but were also surrounded by colour. Think about how we use colour in our daily lives, how it is infused in our language to describe feelings. We have all heard about someone feeling blue or about seeing red when we get angry. Colours are very closely associated with moods and emotions. Try using colours that add emotion to your image. Some emotive colour associations :

Using colour and composition to create Impact

Blue – Feelings of melancholy, feeling blue, singing the blues and the ever popular ‘Blue Monday”

Red – Passion, stop signs and danger

Orange – The colour of fire and warmth

Green – Freshness, nature and fertility, often used in scenes with ‘zen like’ calmness

Yellow – The first colour we humans notice or see, very lively and almost grabs the eye

Brown – Earthy, nature and associated with wood and trees, very neutral

Grey – The most neutral colour, enhances colours used with it, feelings of dreariness or depression

Black – Traditionally associated with death but can convey feelings of chic elegance and distinction

Tip 4: Exciting camera angles

Shooting from shoulder height is boring. We see life from that height anyway and therefore we like seeing images captured from interesting angles. Think about shooting directly down on someone from a balcony, a ladder or any elevated surface when your angle is exaggerated. Now try the opposite, shooting up from very low angles. Have you ever taken photos while lying on your back? If you lie at the base of a tree, the corner of a building or even at a person’s feet while using a wide angle lens the distortion can become extreme and make for a very striking image with loads of impact. Seeing from these different angles is not that new to us, we did it as children. We were almost always looking up at things and when picked up by adults we were then looking down from what was to us, extreme and exciting angles.

Tip 5: Distort with intent

Using a wide angle lens causes distortion which makes anything closer to the lens appears bigger than it is in real life but also diminishes in size anything which is further away from the lens. This can be a great way of getting some fun into your images and works particularly well with children and animals. Try shooting from interesting angles when you do this, possibly getting onto a ladder and shooting down on a person would make their heads looks enormous with tiny feet.

Tip 6: Managing contrast

If you are faced with contrast in a scene where you want to bring detail into dark shadow areas, either use a flash to fill in some light or consider using a reflector. Anything that can reflect light into shadow areas will work relative to the size of the area. Macro photographers for example tend to work very close up in tiny scenes where something as simple as the back of a business card can become a small reflector. If you want to make your own little reflectors with tin foil just remember to crumple the tin foil up thoroughly before stretching it over any surface.

Tip 7: Shooting from the hip

Photography Clint Eastwood style? Have you ever tried capturing images without looking through the viewfinder? Probably not! This can be a fantastic way of capturing exciting and unusual images of people, buildings or just about any subject matter you can think of. Consider walking through a shopping mall or a busy office building with your camera hanging from your hand and shooting as you walk. Try not to raise the camera higher than your waist and ‘force’ yourself to keep shooting without being tempted to look at the LCD every few minutes. While doing this you could intentionally slow down your shutter speed to blur both the movement of your hand as you walk as well as the movement of anybody in the scene. Another way of doing this is by hanging your camera around your neck ‘ala tourist style’. You won’t be raising the camera to your face at any point however. Keep taking shots continuously. When you think you have a possible scene that might work just depress the shutter release button while the camera hangs from your neck, or you could get a cable release and stick it out of sight and shoot that way.

Using colour and strong composition

If you’re interested in doing the “Photographs with Impact” course at the College of Digital Photography click here.